Wildlife Photographer’s Review: Nikon 200-500mm f/5.6E ED VR Lens

For a long time it has been the case that telephoto lenses from the likes of Canon and Nikon have been very expensive. £5,000 would be a good guess for how much you’d be spending if you wanted to score something with a range of 400mm or more. For this reason, many of us would head over to third-party manufacturers like Sigma and Tamron to buy lenses like the Sigma 150-600mm and Tamron 150-600mm.

But now things are changing, and Nikon brought out the 200-500mm f/5.6 lens. This is their response to the cry for a ‘budget’ telephoto lens, in an effort to eliminate the need for users to head to other brands for their longer lenses. It retails at the same price of the Sigma lens: just under £1,200. That’s pretty impressive for a telephoto lens, and especially one that doesn’t have a variable aperture. We’ve been knocking on Nikon’s door asking to review this beast for a while, and eventually managed to get our hands on one.

I was particularly keen to test this lens because my main weapon of choice is the Nikkor 200-400mm f/4 lens. It’s a professional level telephoto, and it was a little surprising to see Nikon offer a much cheaper lens covering this range and more.

Structure and Build

One thing about telephoto lenses that really bugs me is how heavy they are. They’re a burden, especially if you’re travelling long distances with your equipment on your back. If you’d dare try handholding a super telephoto lens, then camera shake is going to be a real danger in your photos. As soon as I picked this lens up out of the box, I noticed how lightweight it is. At just 2.3kg, the Nikon 200-500mm is a whole kilogram lighter than the Nikon 200-400mm f/4 VR II lens. Wow – big thumbs up from me.

nikon 200-500mm review wildlife

But what about the size? Unsurprisingly, the movement in this lens is external. That means that when you zoom in, the lens extends and becomes longer. That’s a real shame, but common place in a budget telephoto lens and part of the reason you aren’t going to be paying over £5,000 for it. Even so, at full 500mm extension, this lens is a fraction shorter than the 200-400mm. When it’s hunkered down to 200mm, the lens is really compact. It’s the perfect lens for a travelling wildlife photographer.

There is a handy locking mechanism to keep the lens at 200mm – this will stop it extending when you don’t want it to. I would’ve liked to see a locking mechanism that worked at any focal length however, as the lens barrel will move with gravity. If you’re shooting upwards at 500mm, expect the lens to wind itself in unless you are holding it on the zoom ring. Now admittedly when you are photographing you are going to be holding the zoom ring, but it can be irritating at times.

It’s an FX-format lens, so it’ll work perfectly on full frame cameras. Crop sensor cameras (DX) will see an increase in the reach of this lens. More information on how FX and DX cameras work is available in this tutorial.

A small detail, but one that I appreciated is that the lens hood has a twist-to-lock mechanism. It’s much quicker and easier to attach than the screw-on hood of the 200-400mm.

3 new from £1,110.00
as of 26th December 2017 9:56 pm

Vibration Reduction

Thanks to the 200-500mm lens being so lightweight, it is perfectly suited for handholding. If you find yourself constantly on the move chasing down wildlife to photograph, then this is going to be a big plus for you. The vibration reduction built into the lens lets you battle camera shake effectively, with a possible shutter speed 4.5 stops slower than when the VR is not engaged. I’m used to the loud whirring noise of the VR on my 200-400mm lens, so when I heard (or didn’t hear) the 200-500mm’s VR at work I thought it was broken! The VR is so quiet that you barely notice it is kicking into action. This is great if you are a film-maker, as you won’t pick up the noise of the stabilisation in your recording.

The VR system sees the introduction of a ‘sport’ mode. There is a switch allowing for either Sport or Normal modes. The former supposedly gives a more stable viewfinder and should be used to photographing subjects that move erratically, such as birds in flight.


The main question you probably have is about the lens’ sharpness. Well, I am pleased to report that this lens is incredibly sharp. In fact, I found it almost as sharp as the 200-400mm lens. At times, I couldn’t even see much of a difference. The following comparison should give you an idea of the marginal difference in sharpness for the two lenses. Both photos were taken at 400mm, with a shutter speed of 1/400, f/5.6 aperture and ISO 400. Click here to load a higher resolution copy of the comparison.

comparison nikon 200-500mm and nikon 200-400mm
Comparison between the Nikon 200-500mm f/5.6 and Nikon 200-400mm f/4 VR II lenses.

Not bad for a lens that is £4,000 cheaper, ey? In the closer crops you can see that the edges are more defined with the 200-400mm f/4 lens, but the 200-500mm really isn’t far behind. I was starting to become a real fan of this lens.

I was also pleased to see that the minimum focusing distance is 2.2 metres (just 20cm more than the 200-400mm). I was expecting this to be somewhere closer to 3 metres, so that was a nice surprise.

One issue that quickly became apparent, however, was the focus speed of the lens. In bright light, this lens is pretty rapid and silent in its focus – totally capable of photographing birds in flight. However, as soon as the light began to drop in the evening (and actually it didn’t feel that dark) the focus slowed up a lot. I was surprised, and swapped to my 200-400mm to see how that performed – its focus was still rapid as normal. Sure, this is a budget telephoto lens so this is to be expected; but it’s still a little disappointing to see. Especially when a lot of wildlife photography is undertaken at dawn and dusk. If you’re feeling slightly discouraged about this lens now, I’d say that this is something you can learn to deal with. Personally, I spent a few years of my career shooting with one of the earlier Sigma budget lenses; they were even slower to focus in low light (if at all). It was frustrating at times for sure, but when you’re buying a budget lens this is something you can adapt to.

But shoot in good light and you have nothing to worry about. I took the Nikon 200-500mm up onto the moorlands in the hope of finding some red grouse to test the lens with. It locked straight onto them, and I was stunned by the detail this budget telephoto was capable of capturing.

nikon 200-500mm f5.6 wildlife sample
Just like me, this red grouse was shocked at how sharp the 200-500mm offering from Nikon is.

We’ve already touched on it earlier, but just look at the clarity of this lens. I feel like I need to ask Nikon if they accidentally sent me a high-end telephoto instead of the actual 200-500mm. None of these sample photos have had sharpening applied in post production.

nikon 200-500mm sample wildlife image
Taken at 500mm on the 200-500mm lens.

Now whilst the rabbit was shot at 500mm, and still appears pretty sharp, I did notice some softness at the long end of this lens at other times. It tended to occur when things were further away, whereas the rabbit was relatively close to the camera and large in the frame. Take a look at this photo of the cow, for example. It’s not filling the frame at all, but the closer crop shows a lack of detail in the face.

Nikon 200-500mm sharpness
Far away subjects shot at 500mm tended to be a little soft.

It’s fairly normal for softness to creep in for far away subjects, but it was a little more apparent with this lens than I would’ve hoped. On the 200mm end, it’s tack sharp. Just look at this photo of a rare UK big cat.

nikon 200-500mm sharpness test

Finally, on the topic of sharpness, I had read that the lens goes soft at infinity focus. I tested this out briefly, and I didn’t find this to be the case. Perhaps other reviews had a dodgy sample, but this is what I found. It’s not pin sharp, but it is far from totally soft – you can still pick out detail in the branches.

The lens performed acceptably at infinity focus.

One of the most surprising things about this lens was the fact that it has a constant aperture throughout. Just like the 200-400mm, which has a constant aperture of f/4, this lens won’t vary its maximum aperture depending on your chosen zoom. I have yet to see a budget telephoto lens other than this one that offers this, as the rest will vary between f/5 and f/6.3 across the range. This is a real bonus for wildlife photographers as you often need all the light you can get. Nothing is more frustrating than having to zoom out just because your maximum aperture has shrunk.

In Conclusion

It’s the answer to your budget telephoto needs. Honestly, I really think I may buy one myself. It just makes so much sense as it’s pretty sharp, lightweight and perfect for travelling.

Sure there are some compromises, but then if that’s a problem you need to be spending over £5,000 on your lens. The main issue is the slow focusing speeds in lower lights, but adapting your technique to suit will let you overcome this as best you can. You may miss a few shots because of it, but such is life and that can happen anyway for a number of reasons.

Overall, the Nikon 200-500mm f/5.6E ED VR lens is a great contender for the budget telephoto market. I’m pretty sure Sigma and Tamron will be looking over their shoulders now this lens is on the scene. I’d give this lens 4 out of 5 stars.

Purchasing Options

Looking to get your hands on this lens? You can buy it from any of the following trusted retailers. Please consider making your purchase via one of the below links, as we earn a small commission on the sale and it helps to keep our servers online.

3 new from £1,110.00
as of 26th December 2017 9:56 pm

Review Date
Reviewed Item
Nikon 200-500mm f/5.6 Lens
Author Rating

Will Nicholls is the founder of Nature TTL and a professional wildlife photographer and film-maker from England. Having been photographing since the age of 12, Will’s images have won a string of awards, including the title of “Young British Wildlife Photographer of the Year” in 2009 from the British Wildlife Photography Awards. Will is also the author of the book On the Trail of Red Squirrels.

Download our free ebook
Grab Our FREE eBook!

Get our best tutorials sent straight to you, and enjoy a copy of "10 Ways to INSTANTLY Improve Your Nature Photos".

  • Yochi

    Thanks for the review.
    Would like, however, to see a comparison of the new Nikon and the Tamron and Sigma 150-600

    • We don’t have a direct comparison of the three lenses, but we have reviewed them all at some stage.
      Tamron: http://www.naturettl.com/tamron-150-600mm-lens-review/
      Sigma: http://www.naturettl.com/review-sigma-150-600mm-f5-6-3-dg-os-hsm-c-lens/

      • Donu

        Apart from the weight how do you compare the Sigma 150-600 sport version with this Nikon.

    • Zenettii

      Going to be interesting to compare the new tamron G2 lens

      • Barry Oakley

        As for the Sigma 150-600, I know of two people who have bought them and found them to be too heavy and have subsequently sold them.

        • Jenshid

          Yes that’s true. Especially the sport version of the Sigma. Recently tried it and it was too heavy to handhold – at least for me.

  • Michel Lamarche

    I’m sorry but I don’t understand how a lense can be slower in low light if everything else is equal… This is the camera that will be slower in low light, not the lense… What camera did you used for this test?

    • Jacobus DeWet

      The difference is in the focus motors used in the lenses. I have the same situation with the 200-500 vs the 300 f2.8. In low light the 300 is as snappy as ever, when I put the TC 2.0iii on the lens and focus using my D4s there is a slowdown and hunting and struggle to log on as the extra glass and the fact that less focus points are active in the camera focus system. The 200-500 focus motor is slower and at f5.6 also have less focus points, cross section, active in camera. Any budget lens with a slower focus motor will struggle in low light. This improves slightly if you set the focus limiter as well as set your camera to af-s single point focus. Trust me I have used the 200-500 f5.6 extensively in all light conditions. It is sharp and fantastic value for money but the reason you pay big money for the 200-400 and big prime lenses is that they are sharper and the focus motor is a lot faster and accurate then what is build into the consumer lenses. The focus motor of the 200-400 is at cost 50% of the price of the total cost of the 200-500 lens. I know as a friend just had the motor replaced after the lens fell into a stream and the electronics packed in.

    • jojo

      You’re right. When you’re focusing the lens is wide open to take as much light as possible. It closes to the selected aperture when you take the shot.
      So if the lens is fast in day light and slower in dim light, this because of the camera AF system which struggle, not because of the lens AF motor.
      Whatever its cost, the AF motor doesn’t care if it’s day or night, it only receives orders from the camera’s AF system.
      If a F/4 or F/2.8 lense performs better in low light, it’s because the larger aperture allows more light to reach the AF sensor…

  • Paul mcdougall

    How does it compare to the Nikon 80-400 lens. I used the old one and found it very slow. But the newer vr2 lens I find very good. Just interested to know. Great review.

  • Melynnique Seabrook

    Thanks for the review, Will, but I have a Canon. I am constantly looking to improve my telephoto. I only have a 250, and it always feels short for birds and wildlife. Does
    Canon have anything like what you reviewed from Nikon? Thanks!

  • Sharon

    I purchased the Nikon 200-500 Lens and have been testing it out for a few days. At first I thought it was my technique as I haven’t really used a telephoto Lens before, so I tried it on a tripod and the results are the same. I struggle to get an image that in my opinion is not soft, especially when it is in the (not to distant) distance. I am toying with the idea of sending it back for replacement just in case its a poor copy of the Lens what do you guys think. Should I post some pictures on here for you to have a look at ?? Or should I give up on the Lens and get something else?

    • You can always send it back – things like this do happen. Perhaps let another photographer try it, if you’re worried it is your technique. Some lenses do need to be calibrated, or fine-tuned, within the camera settings (but this is only for relatively minor adjustments).

      • Sharon

        Every photo looked soft, it wasn’t front or back focusing just the overall image quality wasn’t there. I decided to send it back and I will re-order and hopefully get a better copy.

    • Trish Berthon-Jones

      This is my experience also. The lens can be very sharp with subjects only a few metres away. But, even with subjects 10 m away, it can be very soft and lacking in contrast. I have wondered if the lens is faulty given the glowing reviews it has received. Given it’s made in China, it is possible that quality control is sub-optimal.

  • Rob

    I purchased the 200-500 a couple of weeks ago, I am happy with the image quality, the one thing that is a bit of an issue is with the stabiliser engaged if I stand still, zoom in on a small object, as I shoot in multi shot mode on single point focus the image shifts slightly between shots and I have to readjust slightly to position the focus square back on say the eye of the subject, I have had a 150 to 500 Sigma for many years and when shooting in exactly the same conditions this does not occur. As a result of this problem I have had a few soft shots as the focus square has been off the intended focus point for a frame or so. Nikon told me this was normal as I was moving slightly, the techs at Nikon all saw the problem when I showed them but argued this was normal. As I really like everything else about the lens I really can’t do much, I had to shoot at F8 with the Sigma to get a really sharp image but the 200-500 looks sharp even wide open at 5.6, a stop make a big difference as I am always struggling for light with my nature shots.

    • You will see the frame in the viewfinder jump slightly as you sway naturally when handholding. I experienced the same when using it, and the same on all my VR lenses. I think it is possibly the case that more modern lenses have more ‘aggressive’ VR, so they hold on for a little longer at stabilising and then jump and release when they can’t keep it steady any longer.

    • Will Terry

      Depending on your camera, you should have a button to hold focus so the camera/lens doesn’t need to do it each time you move. Focus, hold button and fire – focus will remain same no matter where your camera moves.

    • Firoz Munshi

      Hey Rob – I had this exact problem with my Sigma 150-500. When I took it up with the service center, they had recommended to change the Stabilizer ring. I did go by their recommendation and it’s working just fine. Not sure, if this could be the problem with your 200-500. Might be another way to cross verify is if you could grab another 200-500 might be from your friend or take one on rent and try your shots. Hope this helps.
      By the way, I am planning to buy the Nikkor 200-500mm by Dec 17.

  • Trish Berthon-Jones

    I have the same experience as Sharon below. I find the lens very soft and lacking in contrast at distances over, say, 10-15 metres. Have often wondered whether I’m expecting too much, or whether the lens is faulty. Perhaps I should ship it to Nikon for servicing